Grab your coupon to submit your drone film for free to CinéDrones, a festival showcasing the best of aerial cinematographers worldwide.
As the popularity of drone film festivals grows with events popping up globally, there is one drone film festival that owns the ‘first in Europe’ title – CinéDrones International Film Festival.
Debuting in 2015, the CinéDrones International Film Festival has gone from strength to strength with the first two editions receiving in excess of 1000 recorded films from 30 countries worldwide!
CinéDrones is now in its third edition and will take place on November 17th & 18th, 2017 in Saint-Médard-en-Jalles, a lovely town close to Bordeaux, France. We are proud sponsors of this great initiative, providing the winners of CinéDrones with Pro memberships to Skytango.
Organized by Bordeaux Technowest and Athenium Films, CinéDrones shines a light on the best creations from around the globe that have enriched their work with the use of flying cameras!
This year the event is planning to keep up the momentum with participants having 11 different categories to choose from including special categories specifically for submissions in Japanese and from women.
Honorary President of CinéDrones International Film Festival is César Award winner and French actor and producer, Christopher Lambert who starred in over 70 movies including the blockbuster Highlander.
Cinema star Christopher Lambert is also passionate about aviation and about new technologies. He has been Honorary President of CinéDrones since the first edition of the festival in 2015.
Aerials captured with the use of a UAV must account for at least 30% of the completed video submitted. The categories are as follows:
- Feature Film, TV & Series
- News & Documentary
- Sports & Adventure
- Heritage & Nature
- Musical Video & Performing Arts
- FPV & Freestyle
- Worldwide Showreels Screening
- CinéDrones by Fukuoka (Japanese Section)
- CinéDrones by Women
The jury, which includes our own Susan Talbot, will host Orelsan, popular French rapper, songwriter, record producer, actor and film director as Jury President.
There are cash prizes up for grabs for the winners of each category with winners’ films also being screened throughout the festival. Companies of the likes of Parrot, GDF SUEZ group, and the French Professionnelle Federation Du Drone Civil have partnered with CinéDrones in the past editions of the event providing support and prizes.
Deadline for submissions is October 10, 2017. Fees for submissions received before Oct. 10th are $20 ($10 for students), while submissions received after the 10th but before the late deadline (October 30, 2017) are $30, but you can use the coupon code:
to get 100% off submissions to CinéDrones International Film Festival 2017. So get your video and start submitting before October 30th!
The festival itself takes place in Cinéma l’Etoile in the municipality of Saint-Médard-en-Jalles that lies about 12.5 kilometres north west of Bordeaux city centre.
Apart from the screening and the award ceremony, the 2-days event schedule also includes side activities. Practical masterclasses for drone operators and filmmakers interested in using drones, and panels debating different aspects of the drone industry will be held in different locations in Saint-Médard-en-Jalles. Check the CinéDrones website for details.
Find out more about CinéDrones:
Photo © CinéDrones International Film Festival
What does the compliance wave in the drone industry hold for drone operators?
There have been huge advances in drone technology in recent years, but what does the future hold for pilots dealing with clients who are increasingly concerned about protecting themselves and their brand?
I’ve been flying a drone commercially since 2013. It was a heavy lift Cinestar and we flew Alexas, BlackMagic cameras, 5D’s, Gh4’s, and any other box we could strap to our Movi gimbal. At the time, the equipment, peripherals, licenses and insurance were a huge financial commitment. From the beginning, we struggled with other drone operators who weren’t licensed or insured and had less overhead as a result, quoting on jobs at half the standard day rate. It was difficult to compete and incredibly frustrating that nobody seemed to be doing anything about it.
To this day you can go to nearly any pilot forum and read their rantings (rightly so) of how hard it is to compete with illegal operators… always searching for the proper enforcement tool to prosecute them and protect the industry.
In my opinion, it’s not only about illegal operators but also about illegal operations. On more than one occasion I have been tempted to break the rules at the request of a client in order to get paid for my day’s work – so let’s be honest – even licensed operators can flaunt regulation and limits and put their insurance and their client at risk. So everyone has been searching for the right ‘stick’ to beat back this multifaceted problem.
I don’t think the ‘stick’ is the way to go. What we need is a ‘carrot’ approach.
Steven Flynn, Skytango CEO
I’ve worked in film and television for 30 years, and I’ve spent a lot of my time in edit suites making sure music, photos, location releases and talent releases were always in order before a show went to air, or I’d have the legal team on my back. So after a career of risk mitigation (for want of a better description) I never understood why, as a drone pilot, clients would expect me to rock up in the streets of Dublin City Center and launch my heavy lift drone without permissions from the local land authority as well as having ATC clearance.
It seemed obvious to me that if a broadcaster or video client would care about having the rights to use a music track or a stock photo in their piece for fear of litigation, they would care if the drone footage they were using was legally acquired too – right?
Well, they do now! Partly because they are more educated around drone use and partly because of changing laws around privacy and data protection. So – buyer beware! It is as important for you to think about the legality of the drone operation as it is for the pilot to be aware. It won’t be long before authorities chase after the demand to corral the supply.
Last year we approached several large stock libraries highlighting a problem we saw coming down the tracks and while they concurred that it would eventually be an issue – none were willing to leap into that space of certified drone footage, as it seemed a slow train, laden with uncertain regulation and lack of enforcement.
Pond5 were the first to acknowledge the need for certified aerial footage, amid rumblings of drone output being audited by authorities and the buyers of illegally acquired content facing fines (monitoring the demand to control the supply), they called us back and said they had begun to see a change in their customers’ needs. They wanted to offer aerial footage they knew was legally acquired (in other words that the pilot followed all the rules), and were willing to sell at a higher premium for that assurance. Why? Well, we’re back to my old edit suite friend – risk mitigation! They partnered with DJI and took the step of promoting footage supplied by Part107 pilots.
The end user needs to be protected, especially if said end-user has deep corporate pockets if you catch my drift. No longer is it enough to fly your drone anytime, anywhere and sell those stunning aerials to anyone who’ll buy them or post them on social media channels (in many cases with illegal music)… you also want to prove that they were legally acquired.
I’ve traveled the world in the last 14 months speaking at drone conferences and events and everywhere I’ve listened to the same story from angry pilots who are still competing with illegal operators pushing rates down and making it hard to earn a living doing a highly skilled job in a regulated space.
‘DRM’, or ‘Digital Rights Management’ (the licensing of music, movies and images for broadcast across multiple channels) is needed in the drone asset space and it is what Skytango has been working toward since our inception. We’re not there yet, but we’re moving that way.
Incentives or ‘carrots’, like insurance breaks and hardware discounts is a step in the right direction. We have always believed that the best way to advance this industry is to offer incentives – where everyone benefits, rather than regulation and policing alone.
So, slowly I am seeing a sea change. Broadcasters and content buyers alike are becoming more and more educated about the process and complexity of flying drones. They are beginning to ask the right questions and are starting to see the inherent risks in using content that wasn’t legally obtained. Technology is advancing so fast that safety concerns around flying these machines are being addressed on a constant basis.
The bigger issue today is around Data Protection and Privacy. The approach of GDPR in Europe will make audit trails a necessity in this industry and I have no doubt the rest of the world will follow suit.
Thank you to everyone who has supported us and stayed with us on this journey. We are here for the long haul and look forward to working with you in the future.
Licensed Drone Pilot, Skytango Founder & CEO